In the middle of the 19th century, following the sharp increase in the population of this industrial district, an additional place of worship was needed. Like many churches in Paris, the Second Empire took care of it. Notre-Dame-de-la-Gare was built between 1855 and 1864 by architect Claude Naissant (1801-1879). The style chosen was roman of the late 12th century.
C1Thanks to a donor, the parish received the present Grand Organ, built by Cavaillé-Coll in 1863.Originally, it was not intended for this church. It was probably meant for a convent near Saint-Omer, but the original specification, the case, and even the finely crafted bench (with lyres on the sides) suggest a salon organ. It had 22 stops on two 54-note manuals and a 25-note pedalboard, used only by coupling to the manuals.It was overhauled in 1881 by Cavaillé-Coll.In 1904, Charles Mutin carried out an overhaul:•he replaced the window console with a detached console;•he installed a Barker machine;•he extended the pedal compass to 30 notes;•he added a 16' Soubasse and an 8' Flute, using part of the façade pipes, which were then unused;•in the Récit, the Clairon was shifted to Trompette, and the Piccolo was replaced by a Nazard, marked as Quinte on the console.In 1928, restoration work was entrusted to Gaston Gutschenritter:•the manuals were extended to 56 notes;•a 4' pedal Flute was added;•a Barker machine was added to the Grand Orgue.In 1943, further work was carried out by Gutschenritter:•he added a 32' Soubasse to the pedal, with the first octave borrowed from the 16' Soubasse, completed by 12 pipes of 10 2/3' Quinte;•the voicing was adjusted, especially for the Plein-Jeu and Cornet;•the organ’s original pitch was 435 Hz, and it was raised to 440 Hz, probably by Gutschenritter or Haerpfer.Between 1982 and 1985, a further overhaul was carried out by Haerpfer, Gutschenritter-Masset. The pedal division was rebuilt with mechanical transmission.In 1995–1997, restoration was carried out by Daniel Kern. A new pedal division was installed, and the voicing was partly reworked.
Organistes titulaires Lucile Dollat et Louis JullienParish websitePhotosbuffet : Hilaire Champeaux (facebook)console : Vincent Hildebrandt
C1Thanks to a donor, the parish received the present Grand Organ, built by Cavaillé-Coll in 1863.Originally, it was not intended for this church. It was probably meant for a convent near Saint-Omer, but the original specification, the case, and even the finely crafted bench (with lyres on the sides) suggest a salon organ. It had 22 stops on two 54-note manuals and a 25-note pedalboard, used only by coupling to the manuals.It was overhauled in 1881 by Cavaillé-Coll.In 1904, Charles Mutin carried out an overhaul:•he replaced the window console with a detached console;•he installed a Barker machine;•he extended the pedal compass to 30 notes;•he added a 16' Soubasse and an 8' Flute, using part of the façade pipes, which were then unused;•in the Récit, the Clairon was shifted to Trompette, and the Piccolo was replaced by a Nazard, marked as Quinte on the console.In 1928, restoration work was entrusted to Gaston Gutschenritter:•the manuals were extended to 56 notes;•a 4' pedal Flute was added;•a Barker machine was added to the Grand Orgue.In 1943, further work was carried out by Gutschenritter:•he added a 32' Soubasse to the pedal, with the first octave borrowed from the 16' Soubasse, completed by 12 pipes of 10 2/3' Quinte;•the voicing was adjusted, especially for the Plein-Jeu and Cornet;•the organ’s original pitch was 435 Hz, and it was raised to 440 Hz, probably by Gutschenritter or Haerpfer.Between 1982 and 1985, a further overhaul was carried out by Haerpfer, Gutschenritter-Masset. The pedal division was rebuilt with mechanical transmission.In 1995–1997, restoration was carried out by Daniel Kern. A new pedal division was installed, and the voicing was partly reworked.
Organistes titulaires Lucile Dollat et Louis JullienParish websitePhotosbuffet : Hilaire Champeaux (facebook)console : Vincent Hildebrandt